RADIO FREE EUROPE
e ----0--0--0-0--0--0-0--0--0-0--0--0-0-0-0-0---
B -----0--0----0--0----0--0----0--0--0-0-0-0-0--
G ---3--3--3-3--3--3-2--2--2-2--2--2------------
For the "Beside yourself.." part:
e --0--0--0-0--0--0------4--------
B ---4--4----4--4---5-5-5-5-5-----
G -4--4--4-4--4--4-6-6-6---6-6----
(play 2x)
ADE
Beside yourself if radio's gonna stay.
ADE
Reason: it could polish up the grey.
ADE
Put that, put that, put that up your wall
ADE
That this isn't country at all
F# A(EEAE)F# AB
Raving station, beside yourself
{same as verse above}
Keep me out of country in the word
Deal the porch is leading us absurd.
Push that, push that, push that to the hull
That this isn't nothing at all.
Straight off the boat, where to go?
EAEA
Calling on in transit, calling on in transit
EAEA
Radio Free Europe
Beside defying media too fast
Instead of pushing palaces to fall
Put that, put that, put that before all
That this isn't fortunate at all
Raving station, beside yourself
Calling on in transit, calling on in transit
Radio Free Europe, radio.
Bsus4 C# Bsus4 C#
Decide yourself, calling all of the medias too fast
Keep me out of country in the word
Disappoint is into us absurd
Straight off the boat, where to go?
Calling on in transit, calling on in transit
Radio Free Europe
----
From: Carlos Yuzo Shine (c_shine@mailexcite.com)
RADIO FREE EUROPE
"A": x02xxx
D : xx0232
"E": 02(2)xxx
e : xx2100
e -------------------------2-------------0-------------
Ken je een betere of completere versie? Stuur 'm in
---------------------1-------1------ ... repeat several times
They called the clip a two-headed cow
Your hate clipped and distant, your luck, pilgrimage
Rest assured this will not last, take a turn for the worst
Your hate clipped and distant, your luck a two-headed cow
CCC
{of course repeated some}
Speakin' in tongues, it's worth a broken lip
Your hate clipped and distant, your luck, pilgrimage
Rest assured this will not last, take a turn for the worst
Your hate clipped and distant, your luck a two-headed cow
The pilgrimage has gained momentum
Take a turn, take a turn
Take our fortune, take our fortune
Pilgrimage. Pilgrimage.
Speakin' in tongues, it's worth a broken lip
Your hate clipped and distant, your luck
Rest assured this will not last, take a turn for the worst
Your hate clipped and distant, your luck two-headed
The pilgrimage has gained momentum
Take a turn, take a turn
Take our fortune, take our fortune
Pilgrimage. Pilgrimage.
The pilgrimage has gained momentum
Take a turn, take a turn
Take our fortune, take our fortune
Take a turn, take a turn
Take our fortune, take our fortune
LAUGHING
Ligh--ted ligh--ted laughing in tune
Lighted lighted laughing
Laocoon and her two sons
Run the gamut, sated view
Know them more, emotion bound
Martyred, misconstrued
--5-----------5-
Lighted, lighted, laughing
Laocoon and her two sons
Ran the gamut, settled new,
Find a place fit to laugh,
Lock the doors, latch the room
Lighted in a room, lanky room
Lighted, lighted, laughing in tune
Lighted, lighted, laughing in tune
Lighted, lighted, laughing in tunes
Lighted, lighted, laughing in tunes
Note: the
strings open (i.e. XX4200 and XX6400)
TALK ABOUT THE PASSION
Original tab by: ?
Corrections by: George Belkin (gxb101@psu.edu)
and Michael Cummings (gt3677a@prism.gatech.edu)
{Main riff:}
----------------------------------------------------------------------
The fourth verse begins the same way as the other three and fades out
repeating the
stuff.
---
Intro: {main riff}
{Main riff}
Empty prayer, empty mouths, combien reaction
Empty prayer, empty mouths, talk about the passion
Not everyone can carry the weight of the world
Not everyone can carry the weight of the world
{Verse riff #1}
Talk about the passion
Talk about the passion
{Main riff}
Empty prayer, empty mouths, combien reaction
Empty prayer, empty mouths, talk about the passion
{Verse riff #2:}
Combien, combien, combien de temps?
{Verse riff #1}
Talk about the passion
Talk about the passion
{Bridge riff}
{Main riff}
Not everyone can carry the weight of the world
Not everyone can carry the weight of the world
{Verse riff #2:}
Combien, combien, combien de temps?
{Verse riff #1}
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
MORAL KIOSK
From: Winston Campbell
Corrections by: George Belkin (gxb101@psu.edu)
and: Jonathan Blanks (joblanks@vt.edu)
Intro:
perfect circle of acquaintances and friends
Drink another, coin a phrase
Heaven assumed, shoulders high in the room
Heaven assumed, shoulders high in the room
Heaven assumed, shoulders high in the room
Try to win and suit your needs
Speak out sometimes but try to win
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
CATAPULT
{for the intro, use this configuration of
U
e:|--throw in some open e & B -------0-0-0-0-0-0----|
B:|-----strings occasionaly----------0-0-0-0-0-0----|
G:|--8-8-8-***-8-9-9-8---6-6-6-***---2-2-2-2-2-2----|
D:|--9-9-9-***-9-x-x-9---7-7-7-***---4-4-4-4-4-4----|
A:|--9-9-9-***-9-9-9-9---7-7-7-***--(4-4-4-4-4-4)---|
E:|--7-7-7-***-7-7-7-7---5-5-5-***------------------|
*** means: just strum the chord (listen to the record)
Bridge :
e:|-0------0-------(0--0-0-0)--|
B:|-0------0-------(0--0-0-0)--|
G:|-1------2--------9--9-9-9---| 2x
D:|-2------4--------x--x-x-x---|
A:|-2---------------9--9-9-9---|
E:|-0---------------7--7-7-7---|
I'm not 100% sure about this last chord
Outro :
This is just the chorus played a couple of times with just an
. Something like this:
e:|---------|-0-***-0-0-0-***-|---------|-0-***-0-***-0---|
B:|-intro/--|-0-***-0-0-0-***-|-intro/--|-0-***-0-***-0---|
G:|-chorus--|-1-***-2-2-1-***-|-chorus--|-1-***-2-***-1---|
D:|-riff-3x-|-2-***-2-2-2-***-|-riff-3x-|-2-***-4-***-2---|
A:|---------|-2-***-2-2-2-***-|---------|-2-***-4-***-2---|
E:|---------|-0-***-0-0-0-***-|---------|-0-***-------0---|
-----
This name I got we all agreed
See could stop stop it will rid
We could bind it in the cist
We could gather, throw a fit
Up to buy, Katie buys a kitchen-size, but not me in
Setting trap for love, making a waste of time, sitting still
I'm the sign and you can read.
I'm the sign and you're not deaf.
We could bind it in the cist.
We could gather, throw a fit.
Up to buy, Katie buys a kitchen-size, but not me in
Setting trap for love, making a waste of time, sitting still
I can hear you. I can hear you. I can hear you.
This name I got we all agree
See could stop stop it will rid
We could bind it in the cist
We could gather, throw a fit.
Up to buy, Katie buys a kitchen-size, but not me in
Setting trap for love, making a waste of time, sitting still
{same as intro}
I can hear you. I can hear you. I can hear you.
You can gather when I talk, talk until you're blue
You could get away from me. Get away from me.
Up to buy, Katie buys a kitchen-size, but not me
Setting trap for love, making a waste of time, sitting still
I can hear you. I can hear you. I can hear you.
I can hear you. I can hear you. I can hear you.
Can you hear me?
9-9 (Last Updated: 8/23/96)
(There are three versions of this song in this file. First the lyrics.
I'll try to "pretty" it up when I have the time. - Chris)
Lyrics:
Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the Lord my soul to keep.
If I should die before I wake, I pray the Lord, hesitate.
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
all nine yards down her back
Give me a couple,
Don't give me a couple of pointers,
Turn to lies and conversation fear
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
all nine yards down her back
Give me a couple,
Don't give me a couple of pointers,
Turn to lies and conversation fear
What is my mind?
What is my mind?
Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the Lord my soul to keep.
If I should die before I wake, oh come on, hesitate, hesitate.
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
all nine yards down her back
Give me a couple,
Don't give me a couple of pointers,
Turn to lies and conversation fear
Conversation fear. Conversation fear. Conversation fear.
------
From: Jonathan Blanks (joblanks@vt.edu)
(in normal tuning)
intro is of course strings and notes, but if you play an
7th fret harmonics-s-5th fret harmonics
----
Version 3 (Added 8/23/96)
From: Steven Doherty (Steven@orion9.demon.co.uk)
Subject: 9-9 by REM
This is 9-9 by REM. I'm not certain about the intro so here's my best
shot:
1 a & a 2 a & a 3 a & a 4 a & a 1 a & a 2 a & a 3 a & a 4 a & a
e|--------------------------------|--------------------------------|
B|10------------------------------|8-------------------------------|
G|11------------------------------|9-------------------------------|
D|0--(0)--0---0---0---0---0---0---|0--(0)--0---0---0---0---0---0---|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
1 a & a 2 a & a 3 a & a 4 a & a 1 a & a 2 a & a 3 a & a 4 a & a
e|--------------------------------|--------------------------------|
B|7-------------------------------|5-------------------------------|
G|7-------------------------------|5-------------------------------|
D|0--(0)--0---0---0---0---0---0---|0--(0)--0---0---0---0---0---0---|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
{once again, there's a melody line played on the
......
Take oasis, Marat's bathing
We walk through the world we walk
Up the stairs to the landing, up the stairs into the hall
Take oasis, Marat's bathing
Up the stairs to the landing, up the stairs into the hall
Take oasis, Marat's bathing
Up the stairs to the landing, up the stairs into the hall
Into the hall
WEST OF THE FIELDS
Chords by: Trygve Sandven Haaland (trygve@bitcon.no)
Long gone. Long gone. Long gone. Long gone. West of the fields.
Dreams of Elysian, to assume are gone when we try
Tell now what is dreaming
When we try to listen with your eyes oversimplify
The animals, how strange. Try, try to stick it in.
Dreams of Elysian, to assume are gone when we try
Tell now what is dreaming when we try.
Listen through your eyes when we die.
West of the fields. West of the fields. West of the fields. West of the fields.
Long gone. Long gone. Long gone. Long gone. West of the fields.